bronze

bronze

  Cloak,  water jet cut glass, zip ties, 9’ x 8’  Shown here @ the Toledo Museum of Art  Collection of the Corning Museum of Glass

Cloak, water jet cut glass, zip ties, 9’ x 8’

Shown here @ the Toledo Museum of Art

Collection of the Corning Museum of Glass

  Cloak  (detail), water jet cut glass, zip ties, 9’ x 8’  Shown here @ the Toledo Museum of Art  Collection of the Corning Museum of Glass

Cloak (detail), water jet cut glass, zip ties, 9’ x 8’

Shown here @ the Toledo Museum of Art

Collection of the Corning Museum of Glass

  Receiver,  2025, blown and hot formed glass, steel.  The  Receiver  series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.  The

Receiver, 2025, blown and hot formed glass, steel.

The Receiver series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.

The use of the vessel, its opening, and its ability to hold things is a key connection to the aperture of the eye, and the transmission and comprehension of images, objects, and experiences in the perceptible world.

  Receiver , 2025  Installation View, Gaze and Rhythm, Toyama Glass Art Museum  Photo by Ryohei Yanagihara, Courtesy of Toyama Glass Art Musuem

Receiver, 2025

Installation View, Gaze and Rhythm, Toyama Glass Art Museum

Photo by Ryohei Yanagihara, Courtesy of Toyama Glass Art Musuem

  Receiver,  2025, blown and hot formed glass, steel.  The  Receiver  series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.  The

Receiver, 2025, blown and hot formed glass, steel.

The Receiver series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.

The use of the vessel, its opening, and its ability to hold things is a key connection to the aperture of the eye, and the transmission and comprehension of images, objects, and experiences in the perceptible world.

  What a Fool Believes , cast aluminum

What a Fool Believes, cast aluminum

  Mostly Upright , blown glass

Mostly Upright, blown glass

  Faint Echo , printed stoneware

Faint Echo, printed stoneware

  Offering, Receiving, Order, Permanence, Decay ,  digitally fabricated bronze

Offering, Receiving, Order, Permanence, Decay,

digitally fabricated bronze

  Open Forms,  porcelain

Open Forms, porcelain

  Holding Form , printed stoneware

Holding Form, printed stoneware

  Sphere with Nook and Chipped Tooth , stoneware, stone

Sphere with Nook and Chipped Tooth, stoneware, stone

  Faces , printed stoneware

Faces, printed stoneware

  Allways , printed stoneware

Allways, printed stoneware

  Open Form, Lenticular Vibration , thrown stoneware

Open Form, Lenticular Vibration, thrown stoneware

  Trails , printed stoneware

Trails, printed stoneware

  Vase with Freckled Shoulder  (for Rose), stoneware and rose quartz

Vase with Freckled Shoulder (for Rose), stoneware and rose quartz

 cast lead crystal and blown glass

cast lead crystal and blown glass

  Bend , blown and cast glass

Bend, blown and cast glass

 bronze
  Cloak,  water jet cut glass, zip ties, 9’ x 8’  Shown here @ the Toledo Museum of Art  Collection of the Corning Museum of Glass
  Cloak  (detail), water jet cut glass, zip ties, 9’ x 8’  Shown here @ the Toledo Museum of Art  Collection of the Corning Museum of Glass
  Receiver,  2025, blown and hot formed glass, steel.  The  Receiver  series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.  The
  Receiver , 2025  Installation View, Gaze and Rhythm, Toyama Glass Art Museum  Photo by Ryohei Yanagihara, Courtesy of Toyama Glass Art Musuem
  Receiver,  2025, blown and hot formed glass, steel.  The  Receiver  series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.  The
  What a Fool Believes , cast aluminum
  Mostly Upright , blown glass
  Faint Echo , printed stoneware
  Offering, Receiving, Order, Permanence, Decay ,  digitally fabricated bronze
  Open Forms,  porcelain
  Holding Form , printed stoneware
  Sphere with Nook and Chipped Tooth , stoneware, stone
  Faces , printed stoneware
  Allways , printed stoneware
  Open Form, Lenticular Vibration , thrown stoneware
  Trails , printed stoneware
  Vase with Freckled Shoulder  (for Rose), stoneware and rose quartz
 cast lead crystal and blown glass
  Bend , blown and cast glass

bronze

Cloak, water jet cut glass, zip ties, 9’ x 8’

Shown here @ the Toledo Museum of Art

Collection of the Corning Museum of Glass

Cloak (detail), water jet cut glass, zip ties, 9’ x 8’

Shown here @ the Toledo Museum of Art

Collection of the Corning Museum of Glass

Receiver, 2025, blown and hot formed glass, steel.

The Receiver series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.

The use of the vessel, its opening, and its ability to hold things is a key connection to the aperture of the eye, and the transmission and comprehension of images, objects, and experiences in the perceptible world.

Receiver, 2025

Installation View, Gaze and Rhythm, Toyama Glass Art Museum

Photo by Ryohei Yanagihara, Courtesy of Toyama Glass Art Musuem

Receiver, 2025, blown and hot formed glass, steel.

The Receiver series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.

The use of the vessel, its opening, and its ability to hold things is a key connection to the aperture of the eye, and the transmission and comprehension of images, objects, and experiences in the perceptible world.

What a Fool Believes, cast aluminum

Mostly Upright, blown glass

Faint Echo, printed stoneware

Offering, Receiving, Order, Permanence, Decay,

digitally fabricated bronze

Open Forms, porcelain

Holding Form, printed stoneware

Sphere with Nook and Chipped Tooth, stoneware, stone

Faces, printed stoneware

Allways, printed stoneware

Open Form, Lenticular Vibration, thrown stoneware

Trails, printed stoneware

Vase with Freckled Shoulder (for Rose), stoneware and rose quartz

cast lead crystal and blown glass

Bend, blown and cast glass

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