Seeing Is Believing   bronze

Seeing Is Believing

bronze

  Cloak,  water jet cut glass, zip ties, 9’ x 8’  After the Gerum Cloak  @ the Toledo Museum of Art  Collection of the Corning Museum of Glass

Cloak, water jet cut glass, zip ties, 9’ x 8’

After the Gerum Cloak

@ the Toledo Museum of Art

Collection of the Corning Museum of Glass

  Cloak  (detail), water jet cut glass, zip ties, 9’ x 8’  After the Gerum Cloak.   @ the Toledo Museum of Art  Collection of the Corning Museum of Glass

Cloak (detail), water jet cut glass, zip ties, 9’ x 8’

After the Gerum Cloak.

@ the Toledo Museum of Art

Collection of the Corning Museum of Glass

  Receiver,  2025, blown and hot formed glass, steel.  The  Receiver  series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.  The

Receiver, 2025, blown and hot formed glass, steel.

The Receiver series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.

The use of the vessel, its opening, and its ability to hold things is a key connection to the aperture of the eye, and the transmission and comprehension of images, objects, and experiences in the perceptible world.

  Receiver,  2025, blown and hot formed glass, steel.  The  Receiver  series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.  The

Receiver, 2025, blown and hot formed glass, steel.

The Receiver series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.

The use of the vessel, its opening, and its ability to hold things is a key connection to the aperture of the eye, and the transmission and comprehension of images, objects, and experiences in the perceptible world.

  What a Fool Believes , cast aluminum

What a Fool Believes, cast aluminum

  Mostly Upright , blown glass

Mostly Upright, blown glass

  Uchi,  blown glass.  This work takes on the seemingly impossible task of nesting one form inside of another, without fusing them together permanently, but disallowing their separation. They are not bound together strictly or entirely, but have limi

Uchi, blown glass.

This work takes on the seemingly impossible task of nesting one form inside of another, without fusing them together permanently, but disallowing their separation. They are not bound together strictly or entirely, but have limited mobility. In glassblowing, this simple meeting of two objects approaches the impossible.

  Uchi,  blown glass.  This work takes on the seemingly impossible task of nesting one form inside of another, without fusing them together permanently, but disallowing their separation. They are not bound together strictly or entirely, but have limi

Uchi, blown glass.

This work takes on the seemingly impossible task of nesting one form inside of another, without fusing them together permanently, but disallowing their separation. They are not bound together strictly or entirely, but have limited mobility. In glassblowing, this simple meeting of two objects approaches the impossible.

  Faint Echo , printed stoneware

Faint Echo, printed stoneware

  Offering, Receiving, Order, Permanence, Decay ,  digitally fabricated bronze

Offering, Receiving, Order, Permanence, Decay,

digitally fabricated bronze

  Holding Form , printed stoneware

Holding Form, printed stoneware

  Quasicrystal  , printed clay

Quasicrystal , printed clay

  Sphere with Nook and Chipped Tooth , stoneware, stone

Sphere with Nook and Chipped Tooth, stoneware, stone

  Faces , printed stoneware

Faces, printed stoneware

  Allways , printed stoneware

Allways, printed stoneware

  Open Form, Lenticular Vibration , thrown stoneware

Open Form, Lenticular Vibration, thrown stoneware

  Summary of Material and Space (Möbius Cup) , blown glass  Looked through as much as it’s looked at, the inside  and outside of glass are visually the same side. A Möbius strip also has only one side.

Summary of Material and Space (Möbius Cup), blown glass

Looked through as much as it’s looked at, the inside and outside of glass are visually the same side. A Möbius strip also has only one side.

  Trails , printed stoneware

Trails, printed stoneware

  Vase with Freckled Shoulder  (for Rose), stoneware and rose quartz

Vase with Freckled Shoulder (for Rose), stoneware and rose quartz

 cast lead crystal and blown glass

cast lead crystal and blown glass

  Bend , blown and cast glass

Bend, blown and cast glass

  Seeing Is Believing   bronze
  Cloak,  water jet cut glass, zip ties, 9’ x 8’  After the Gerum Cloak  @ the Toledo Museum of Art  Collection of the Corning Museum of Glass
  Cloak  (detail), water jet cut glass, zip ties, 9’ x 8’  After the Gerum Cloak.   @ the Toledo Museum of Art  Collection of the Corning Museum of Glass
  Receiver,  2025, blown and hot formed glass, steel.  The  Receiver  series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.  The
  Receiver,  2025, blown and hot formed glass, steel.  The  Receiver  series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.  The
  What a Fool Believes , cast aluminum
  Mostly Upright , blown glass
  Uchi,  blown glass.  This work takes on the seemingly impossible task of nesting one form inside of another, without fusing them together permanently, but disallowing their separation. They are not bound together strictly or entirely, but have limi
  Uchi,  blown glass.  This work takes on the seemingly impossible task of nesting one form inside of another, without fusing them together permanently, but disallowing their separation. They are not bound together strictly or entirely, but have limi
  Faint Echo , printed stoneware
  Offering, Receiving, Order, Permanence, Decay ,  digitally fabricated bronze
  Holding Form , printed stoneware
  Quasicrystal  , printed clay
  Sphere with Nook and Chipped Tooth , stoneware, stone
  Faces , printed stoneware
  Allways , printed stoneware
  Open Form, Lenticular Vibration , thrown stoneware
  Summary of Material and Space (Möbius Cup) , blown glass  Looked through as much as it’s looked at, the inside  and outside of glass are visually the same side. A Möbius strip also has only one side.
  Trails , printed stoneware
  Vase with Freckled Shoulder  (for Rose), stoneware and rose quartz
 cast lead crystal and blown glass
  Bend , blown and cast glass

Seeing Is Believing

bronze

Cloak, water jet cut glass, zip ties, 9’ x 8’

After the Gerum Cloak

@ the Toledo Museum of Art

Collection of the Corning Museum of Glass

Cloak (detail), water jet cut glass, zip ties, 9’ x 8’

After the Gerum Cloak.

@ the Toledo Museum of Art

Collection of the Corning Museum of Glass

Receiver, 2025, blown and hot formed glass, steel.

The Receiver series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.

The use of the vessel, its opening, and its ability to hold things is a key connection to the aperture of the eye, and the transmission and comprehension of images, objects, and experiences in the perceptible world.

Receiver, 2025, blown and hot formed glass, steel.

The Receiver series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.

The use of the vessel, its opening, and its ability to hold things is a key connection to the aperture of the eye, and the transmission and comprehension of images, objects, and experiences in the perceptible world.

What a Fool Believes, cast aluminum

Mostly Upright, blown glass

Uchi, blown glass.

This work takes on the seemingly impossible task of nesting one form inside of another, without fusing them together permanently, but disallowing their separation. They are not bound together strictly or entirely, but have limited mobility. In glassblowing, this simple meeting of two objects approaches the impossible.

Uchi, blown glass.

This work takes on the seemingly impossible task of nesting one form inside of another, without fusing them together permanently, but disallowing their separation. They are not bound together strictly or entirely, but have limited mobility. In glassblowing, this simple meeting of two objects approaches the impossible.

Faint Echo, printed stoneware

Offering, Receiving, Order, Permanence, Decay,

digitally fabricated bronze

Holding Form, printed stoneware

Quasicrystal , printed clay

Sphere with Nook and Chipped Tooth, stoneware, stone

Faces, printed stoneware

Allways, printed stoneware

Open Form, Lenticular Vibration, thrown stoneware

Summary of Material and Space (Möbius Cup), blown glass

Looked through as much as it’s looked at, the inside and outside of glass are visually the same side. A Möbius strip also has only one side.

Trails, printed stoneware

Vase with Freckled Shoulder (for Rose), stoneware and rose quartz

cast lead crystal and blown glass

Bend, blown and cast glass

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