Seeing Is Believing
bronze
Cloak, water jet cut glass, zip ties, 9’ x 8’
After the Gerum Cloak
@ the Toledo Museum of Art
Collection of the Corning Museum of Glass
Cloak (detail), water jet cut glass, zip ties, 9’ x 8’
After the Gerum Cloak.
@ the Toledo Museum of Art
Collection of the Corning Museum of Glass
Receiver, 2025, blown and hot formed glass, steel.
The Receiver series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.
The use of the vessel, its opening, and its ability to hold things is a key connection to the aperture of the eye, and the transmission and comprehension of images, objects, and experiences in the perceptible world.
Threadbare, hot-worked glass
Allways, printed stoneware
Holding Form, printed stoneware
Faint Echo, printed stoneware
Quasicrystal , printed clay
Faces, printed stoneware
Trails, printed stoneware
Vase with Freckled Shoulder (for Rose), stoneware and rose quartz
Sphere with Nook and Chipped Tooth, stoneware, stone
Lifelong Fiction, thrown stoneware, concrete finger and footholds, hardware.
Langour and Grace, printed and altered stoneware
Offering, Receiving, Order, Permanence, Decay,
digitally fabricated bronze
Uchigawa, cast lead crystal and blown glass
Open Forms, digitally fabricated and cast porcelain
Open Form, Lenticular Vibration, thrown stoneware
Receivers, thrown and digitally altered ceramic
Receiver, thrown and digitally altered ceramic
Cone and Circle, Point of Reference, blown, cast, and coldworked glass.
A position on the narrow distinction between modernist sculpture and twentieth century craft and design sensibilities.
Bend, blown and cast glass
Sundown, blown, hotworked, and cold worked glass
What a Fool Believes, cast aluminum
On the reduction of magical symbols into caricature.