Seeing Is Believing
bronze
Cloak, water jet cut glass, zip ties, 9’ x 8’
After the Gerum Cloak
@ the Toledo Museum of Art
Collection of the Corning Museum of Glass
Cloak (detail), water jet cut glass, zip ties, 9’ x 8’
After the Gerum Cloak.
@ the Toledo Museum of Art
Collection of the Corning Museum of Glass
Receiver, 2025, blown and hot formed glass, steel.
The Receiver series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.
The use of the vessel, its opening, and its ability to hold things is a key connection to the aperture of the eye, and the transmission and comprehension of images, objects, and experiences in the perceptible world.
What a Fool Believes, cast aluminum
On the reduction of magical symbols into caricature.
Faint Echo, printed stoneware
Holding Form, printed stoneware
Quasicrystal , printed clay
Faces, printed stoneware
Allways, printed stoneware
Sphere with Nook and Chipped Tooth, stoneware, stone
Langour and Grace, printed and altered stoneware
Offering, Receiving, Order, Permanence, Decay,
digitally fabricated bronze
Open Form, Lenticular Vibration, thrown stoneware
Open Forms, porcelain
Trails, printed stoneware
Vase with Freckled Shoulder (for Rose), stoneware and rose quartz
Uchigawa, cast lead crystal and blown glass
Bend, blown and cast glass
Threadbare, hot-worked glass
Cone and Circle, Point of Reference, blown, cast, and coldworked glass.
A position on the narrow distinction between modernist sculpture and twentieth century craft and design sensibilities.
Sundown, blown, hotworked, and cold worked glass