Seeing Is Believing
bronze
Cloak, water jet cut glass, zip ties, 9’ x 8’
Shown here @ the Toledo Museum of Art
Collection of the Corning Museum of Glass
Cloak (detail), water jet cut glass, zip ties, 9’ x 8’
Shown here @ the Toledo Museum of Art
Collection of the Corning Museum of Glass
Receiver, 2025, blown and hot formed glass, steel.
The Receiver series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.
The use of the vessel, its opening, and its ability to hold things is a key connection to the aperture of the eye, and the transmission and comprehension of images, objects, and experiences in the perceptible world.
What a Fool Believes, cast aluminum
Mostly Upright, blown glass
Uchi, blown glass.
This work takes on the seemingly impossible task of nesting one form inside of another, without fusing them together permanently, but disallowing their separation. They are not bound together strictly or entirely, but have limited mobility. In glassblowing, this simple meeting of two objects approaches the impossible.
Uchi, blown glass.
This work takes on the seemingly impossible task of nesting one form inside of another, without fusing them together permanently, but disallowing their separation. They are not bound together strictly or entirely, but have limited mobility. In glassblowing, this simple meeting of two objects approaches the impossible.
Faint Echo, printed stoneware
Offering, Receiving, Order, Permanence, Decay,
digitally fabricated bronze
Holding Form, printed stoneware
printed clay
Sphere with Nook and Chipped Tooth, stoneware, stone
Faces, printed stoneware
Allways, printed stoneware
Open Form, Lenticular Vibration, thrown stoneware
Trails, printed stoneware
Vase with Freckled Shoulder (for Rose), stoneware and rose quartz
cast lead crystal and blown glass
Bend, blown and cast glass