
bronze

Cloak, water jet cut glass, zip ties, 9’ x 8’
Shown here @ the Toledo Museum of Art
Collection of the Corning Museum of Glass

Cloak (detail), water jet cut glass, zip ties, 9’ x 8’
Shown here @ the Toledo Museum of Art
Collection of the Corning Museum of Glass

Receiver, 2025, blown and hot formed glass, steel.
The Receiver series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.
The use of the vessel, its opening, and its ability to hold things is a key connection to the aperture of the eye, and the transmission and comprehension of images, objects, and experiences in the perceptible world.

Receiver, 2025
Installation View, Gaze and Rhythm, Toyama Glass Art Museum
Photo by Ryohei Yanagihara, Courtesy of Toyama Glass Art Musuem

Receiver, 2025, blown and hot formed glass, steel.
The Receiver series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.
The use of the vessel, its opening, and its ability to hold things is a key connection to the aperture of the eye, and the transmission and comprehension of images, objects, and experiences in the perceptible world.

What a Fool Believes, cast aluminum

Mostly Upright, blown glass

Faint Echo, printed stoneware

Offering, Receiving, Order, Permanence, Decay,
digitally fabricated bronze

Open Forms, porcelain

Holding Form, printed stoneware

Sphere with Nook and Chipped Tooth, stoneware, stone

Faces, printed stoneware

Allways, printed stoneware

Open Form, Lenticular Vibration, thrown stoneware

Trails, printed stoneware

Vase with Freckled Shoulder (for Rose), stoneware and rose quartz
cast lead crystal and blown glass

Bend, blown and cast glass



















bronze
Cloak, water jet cut glass, zip ties, 9’ x 8’
Shown here @ the Toledo Museum of Art
Collection of the Corning Museum of Glass
Cloak (detail), water jet cut glass, zip ties, 9’ x 8’
Shown here @ the Toledo Museum of Art
Collection of the Corning Museum of Glass
Receiver, 2025, blown and hot formed glass, steel.
The Receiver series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.
The use of the vessel, its opening, and its ability to hold things is a key connection to the aperture of the eye, and the transmission and comprehension of images, objects, and experiences in the perceptible world.
Receiver, 2025
Installation View, Gaze and Rhythm, Toyama Glass Art Museum
Photo by Ryohei Yanagihara, Courtesy of Toyama Glass Art Musuem
Receiver, 2025, blown and hot formed glass, steel.
The Receiver series contends with the idea of layers of perception, the relationship between the conscious and unconscious, and the existence of an omnipresent but imperceptible observer.
The use of the vessel, its opening, and its ability to hold things is a key connection to the aperture of the eye, and the transmission and comprehension of images, objects, and experiences in the perceptible world.
What a Fool Believes, cast aluminum
Mostly Upright, blown glass
Faint Echo, printed stoneware
Offering, Receiving, Order, Permanence, Decay,
digitally fabricated bronze
Open Forms, porcelain
Holding Form, printed stoneware
Sphere with Nook and Chipped Tooth, stoneware, stone
Faces, printed stoneware
Allways, printed stoneware
Open Form, Lenticular Vibration, thrown stoneware
Trails, printed stoneware
Vase with Freckled Shoulder (for Rose), stoneware and rose quartz
cast lead crystal and blown glass
Bend, blown and cast glass